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Video

Fatin Farhat on cultural sector in the MENA region

Fatin Farhat, a Palestinian based cultural worker from Ramallah talks about art sector in Palestine and MENA region, as well as about RAWA, a bottom up funding initiative. Fatin is currently enrolled in the Cultural Policy program at Hildesheim University as a Ph.D., examining the potential of inviting new practices to grassroots cultural initiatives, while highlighting the potential role local governments can play in fostering community/citizen participation and cultural development in Palestine.

Audio

Value of Art in Social Fabric: Wide Field and Complex Questions

Role of art in society considers complex relations between artists, public, media, founders and institutions. It is determined by different social and political contexts, but also by individual artistic practices. The group has opened different theoretical questions in order to establish a framework which would impact their artistic and living environment. The main keywords were: equality, solidarity and sustainability in-between mentioned instances: artists, founders and institutions, and people.

Blog

Reshaping Zagreb Intensive: How We Switched From Physical to Digital

RESHAPE (Reflect, Share, Practice, Experiment) is a 3-year trajectory aiming at the development of new organisational models for a fair, sustainable, solidary and geographically balanced arts ecosystem in Europe and South Mediterranean countries. Forty artists and art professionals (we call them ‘Reshapers’) are working in small groups on answers and proposals around 5 complementary topics like value of social fabric, fair governance, solidarity funding, trans/post national practices and art and citizenship. Apart from these workshops in small groups, all Reshapers work together during a week in the form of an ‘intensive’; one was organised in Cluj in November 2019 and a second one was planned from 9 to 13 march in Zagreb, Croatia.

News

Workshop in Edinburgh: How can art radically imagine new forms of citizenship and empower us to act?

A university created and run by refugees > Social enterprises forged through vulnerable street children creating a circus > Historic injustices and everyday niggles aired and shared through joining a complaints choir > An energy cooperative developed from street parties > A nation-wide exchange economy fuelled through independent music festivals > Urban transport nightmares tackled through graffiti vigilantism > An inclusive cross-generational school fashioned collaboratively inside a recently re-opened nuclear exclusion zone ...

Blog

Art as a Tool for Social Transformation

From its capacity of generating changes in the collective imaginary, producing forms of critical thinking, inventing new ways of doing or proposing new formulas of social organization, art can be a practical tool for contributing to processes of social transformation. In this sense, when we talk about practices that are at the junction of art and social fabric, some of the most nutritious areas can be those of collaborative art, public art, practices close to activism, cultural mediation, art and education, or community culture. —— by Marina Urruticoechea (Sarean + Wikitoki + Karraskan)

Interview

Creating the Department of Civil Imagination — An interview with Peter Jenkinson and Shelagh Wright

Shelagh Wright and Peter Jenkinson, both based in London, have been supporting creative and cultural work for progressive social and political goals throughout the world for many years. Their current projects include ODD, an action research ad/venture exploring positive deviance within socially-engaged cultural practice and creative activism. They are also involved with the pan-European Laboratories of Care programme and with investigating the contribution of cultural and creative activists to the new global Municipalist movement. In the context of RESHAPE, they have been the facilitators of the Art and Citizenship trajectory, asking the question: How can art radically reimagine new forms of citizenship and empower us to act? Here, active citizenship is a central connecting point, on which we expound in this conversation.

Audio

Radio is a Social Medium

Created 15 years ago, Radio Papesse is an online audio archive devoted to contemporary art and a place for the documentation and the articulation of a critical discourse around the visual arts. At the same time, it is a platform that brings together artists, musicians and producers and opens up space for interesting projects of sonic storytelling. Its creators, Carola Haupt and Ilaria Gadenz entered the radio venture at a time when it was quite marginalized, if not obscure medium but, in the meantime, new audiences have discovered its various potentials. In conversation with Ilaria we learned more about the radio as a medium in presenting contemporary art, but also as a tool for community building, especially in times of social isolation.

Interview

On Mobility, Rituals, and Senses – Post- and Transnational Explorations — An interview with Marta Keil

Marta Keil is a performing arts curator and researcher who co-runs the Performing Arts Institute in Warsaw, Poland. She has collaborated as a curator and dramaturge with a number of artists and works on a regular basis in a curatorial tandem with Grzegorz Reske (ResKeil). She is also the editor of several publications on performance and politics. She has been the facilitator of the Transnational/Postnational Artistic Practices trajectory in RESHAPE, which engaged with questions of imagining an artworld ‘after the national’, starting from the broader notion of the political map and how it affects cultural practices. In this interview, she spoke to us from Warsaw, about some of the processes and outputs of her trajectory within RESHAPE.

Interview

The Home, the Suitcase, and the Social Fabric — An interview with Pedro Costa

Pedro Costa is professor at the Department of Political Economy at the ISCTE – Instituto Universitário de Lisboa and director of DINAMIA’CET-iscte (Research Center on Socioeconomic Change and Territory). An economist with a research specialization in urban and regional planning, Costa works on areas of territorial development and cultural economics. In the context of RESHAPE, he was the facilitator of the trajectory Value of Art in the Social Fabric, where the question of how to better understand the impact, tangible and intangible, of artists and their work on the local context was raised. In this conversation, we explore some of the processes and outputs of this trajectory.

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