Fatin Farhat on cultural sector in the MENA region
Fatin Farhat, a Palestinian based cultural worker from Ramallah talks about art sector in Palestine and MENA region, as well as about RAWA, a bottom up funding initiative. Fatin is currently enrolled in the Cultural Policy program at Hildesheim University as a Ph.D., examining the potential of inviting new practices to grassroots cultural initiatives, while highlighting the potential role local governments can play in fostering community/citizen participation and cultural development in Palestine.
Value of Art in Social Fabric: Wide Field and Complex Questions
Role of art in society considers complex relations between artists, public, media, founders and institutions. It is determined by different social and political contexts, but also by individual artistic practices. The group has opened different theoretical questions in order to establish a framework which would impact their artistic and living environment. The main keywords were: equality, solidarity and sustainability in-between mentioned instances: artists, founders and institutions, and people.
Reshaping Zagreb Intensive: How We Switched From Physical to Digital
RESHAPE (Reflect, Share, Practice, Experiment) is a 3-year trajectory aiming at the development of new organisational models for a fair, sustainable, solidary and geographically balanced arts ecosystem in Europe and South Mediterranean countries. Forty artists and art professionals (we call them ‘Reshapers’) are working in small groups on answers and proposals around 5 complementary topics like value of social fabric, fair governance, solidarity funding, trans/post national practices and art and citizenship. Apart from these workshops in small groups, all Reshapers work together during a week in the form of an ‘intensive’; one was organised in Cluj in November 2019 and a second one was planned from 9 to 13 march in Zagreb, Croatia.
Workshop in Edinburgh: How can art radically imagine new forms of citizenship and empower us to act?
A university created and run by refugees > Social enterprises forged through vulnerable street children creating a circus > Historic injustices and everyday niggles aired and shared through joining a complaints choir > An energy cooperative developed from street parties > A nation-wide exchange economy fuelled through independent music festivals > Urban transport nightmares tackled through graffiti vigilantism > An inclusive cross-generational school fashioned collaboratively inside a recently re-opened nuclear exclusion zone ...
Brussels. In search of territories of new-urban creation. — by Chris Keulemans
This text is a report of a month in Brussels. No more, no less. The report of a month spent walking, talking and observing. At the invitation of Flanders Arts Institute and in particular of Sofie Joye, in charge of Diversity, Urbanity and Emerging Artists.
What kind of art should we develop so it could match social needs?
We are asked how the ‘value of art’ could be promoted in the ‘social fabric’? But, based on the practices we are developing in the Minipogon, we would feel more comfortable reversing this question in the following way: What kind of art practices should be developed so they could match real social needs, while making art finally purposeful for the society as a whole?
We Wanna Sleep With Common People
These days are really important days for me. I am selling my home. 30 square meters of size and over 10 year of life in these walls. It hosted my life and my work; what is now called homemade culture. In this little box I called home, I created my own festival, more than one actually. Three. They’ve all left by now, they live across Romania and abroad.
Art as a Tool for Social Transformation
From its capacity of generating changes in the collective imaginary, producing forms of critical thinking, inventing new ways of doing or proposing new formulas of social organization, art can be a practical tool for contributing to processes of social transformation. In this sense, when we talk about practices that are at the junction of art and social fabric, some of the most nutritious areas can be those of collaborative art, public art, practices close to activism, cultural mediation, art and education, or community culture. —— by Marina Urruticoechea (Sarean + Wikitoki + Karraskan)
Arts and Culture in the Age of Corona
Four days before Reshape Zagreb Intensive was supposed to start, we made a decision to cancel it due to the spreading of coronavirus all over Europe. 80 arts and culture professionals who were supposed to come to Zagreb committed to work online instead of traveling, in order not to jeopardize their own and other people's health.
A conversation about Reshape at La Lleialtat Santsenca guided by La Fundició and Radio Cava-Ret
Listen to the radio talk about the Reshape project that was made in Barcelona during the Art and Citizenship workshop. The radio talk took place at Lleialtat Santsenca and was guided by La Fundició and Radio Cava-Ret.
Vincent Liegey: To Reshape Well, Let's Degrowth
"Degrowth" has emerged over the last 15 years. This "bomb word" has been used to open in-depth debates on whether infinite growth in a finite world is desirable or even possible. Degrowth first deconstructs the myth that growth is the central solution for the impasse our capitalist, productivist and consumerist societies have led us to.
Clubture Network: Cultural Decentralisation Through Collaboration
Clubture Network is a non-profit, inclusive, participatory network of organizations working on strengthening the independent cultural sector through program networking, raising public visibility, encouraging organizational development of the sector and strengthening its influence on the institutional framework in which it operates.