news

News

Workshop in Edinburgh: How can art radically imagine new forms of citizenship and empower us to act?

A university created and run by refugees > Social enterprises forged through vulnerable street children creating a circus > Historic injustices and everyday niggles aired and shared through joining a complaints choir > An energy cooperative developed from street parties > A nation-wide exchange economy fuelled through independent music festivals > Urban transport nightmares tackled through graffiti vigilantism > An inclusive cross-generational school fashioned collaboratively inside a recently re-opened nuclear exclusion zone ...

News

The first RESHAPE workshop will discuss transnational/postnational artistic practices

The notion of transnationality/postnationality offers a tempting perspective. It inspires to change the mindset for a while; to get rid of currently dominating patterns of thinking and operating, that most often represent the dominant structure of national states. However promising it may sound, to most of art workers it would be a misleading fantasy: for the actual political map does influence our professional and private lives on the every day basis, shaping our ways of thinking and enabling or interrupting relations.

Video

Fatin Farhat on cultural sector in the MENA region

Fatin Farhat, a Palestinian based cultural worker from Ramallah talks about art sector in Palestine and MENA region, as well as about RAWA, a bottom up funding initiative. Fatin is currently enrolled in the Cultural Policy program at Hildesheim University as a Ph.D., examining the potential of inviting new practices to grassroots cultural initiatives, while highlighting the potential role local governments can play in fostering community/citizen participation and cultural development in Palestine.

Audio

Podcast form Lublin Forum // Maja Kuzmanović: The Art of Futuring. Unknown, unknowable & uncertain

The complex uncertainties of our times make engaging with futures increasingly challenging. What could encourage proactive engagement with these challenges? The various approaches to uncertainty found in futures studies offer some starting points; where futures are iteratively imagined, tested, adapted and integrated into everyday experiences, as a continuous refinement of living in the long now.

Video

Katarina Pavić: On Governance in Culture

Katarina Pavić, a cultural worker and activist from Zagreb, Croatia, talks about reshaping cultural organizations: What you do every day is a habit, and then your habits form your character, then your character informs the way you do things and the way you organize. When we talk about reshaping organizational systems — this is how we need to start. We need to start with what we are doing every day and how we are doing things every day and this is how we produce something that is called change or novelty.

Blog

The best we can. Re-establishing priorities for arts professionals in times of crisis

Arts professionals think that their work is important for society. Nevertheless, when it comes to defining or formulating this value in concrete terms, most of them fail to do so. Far from being able to establish the relevance of what they do for the people they aim to serve, they often seem to be totally unaware of what is going on around them and little informed on contemporary issues that affect their communities. Cuts in budgets for Culture, shrinking teams and an absurd demand for “doing more with less” have further intensified the disconnect between cultural organisations and society. The uncritical execution of repetitive tasks, therefore, has become a comfortable norm, where there seems to be little place for critical thinking, imagination, creativity and, ultimately, happiness. Can there be a way out from this swamp?

Longread

The Art of Futuring: Unknown, Unknowable and Uncertain.

This article is intended to provide a brief introduction to working with futures as artists and culture makers. One of the central concerns is how and why Futures can provide useful methods for increasing agency and encouraging co-creation of our collective futures. It is about why futuring is important for everyone, not just corporations and governments. It describes what we at FoAM understand by futuring, our interpretation of the (pre)history of Futures and a few suggestions about where it might be able to take us. It touches on the crossovers between art, design and futures and ends with a proposition for more widespread futures literacy.

Longread

How is this enough? Rethinking cultural management

This short paper is the result of the opportunity to join the conversations happening at the Reshape Forum in Lublin during the first week of April. It is also part of the wider research I am conducting in the framework of my PhD in Artistic Studies at the University of Coimbra on alternative models of organization and management in the performing arts. If you’re interested in continuing this conversation, do get in touch. The research is funded by FCT - SFRH/BD/136458/2018.

Your privacy

We use cookies to improve your experience on our site. To find out more, read our privacy policy.

Tell me more
×